
A Worldwide Art Movement Started in 2000
Reframing Humanity's Oldest Taboo
by Vanessa Tiegs aka Venus Geist, Former Ballerina, Magnetic Astrologer,
Mother of Menstrala, Monthmatics & La Menstra Derivatives

Silverfish Spirits
In September 2000, nine months into the turn of the millennium and at the age of 33, Vanessa Tiegs published the 1st of her 88 Menstrala paintings while earning her master's degree in Women's Spirituality at New College of California in San Francisco with thesis advisor, Judy Grahn, PhD, author of Blood, Bread & Roses: How Menstruation Created the World (1993).
Vanessa had spent the 90's decade visiting Neolithic archaeological sites across Old Europe (as far south as Malta, Sardinia & Crete to as far east as Prague). She even entered The Hal Saflieni Hypogeum in Malta, during its 10-year long conservation project before it reopened to the public in 2000.

Her curiosity led her to study Hellenistic Astrology, lunar cycles, Jungian archetypal psychology and the menstrual cycle. This exploration inspired her monthly mandalas which eventually became her art collection of 88 Menstrala. She uploaded her artworks, which she called "pain things" at the time, to LiveJournal.com, one of the earliest blogs to exist on the worldwide web. She also answered her viewers' most FAQ.
A Journal of Pain Things
What began as A Journal of Pain Things, grew into a grassroots art movement. Someone reposted her paintings on Metafilter.com. Consequently, satirical memes sent Ruby Red, Timandra & Bulis and Before My Door to wider audiences. The exposure prompted social experiments, such as a two-time attempted print exhibit onboard the United States Navy Supercarrier, USS Kitty Hawk (CV-63) in 2003. In 2009, Dave Navarro, the guitarist in the rock band Red Hot Chili Peppers reached out to do an art collab in San Francisco.
Checked Out by The Vatican
The biggest surprise for Menstrala came on November 9th, 2002. Less than a month after it was published online, the Vatican's website domain requested and served October Flight.
Menstrala: October Flight, requested & served to the Vatican's website domain less than a month after being published in October 2002.
Today, more than 200 academic publications mention the artist and 28 papers already exist with "Menstrala" in the full text according to Academia.edu the website used by thousands of universities around the world.
The medium is the message.
Signaling fertility, woman's menstrual blood imparts deep psychological impact on human consciousness. Its omnipotence is rooted in humanity's memory bank; our first scent is our mother's blood the moment we inhale at birth.
Most women are taught that a slight mention or sighting of menstrual blood will leave a stigma the likes of social suicide. This unquestioned belief has pressured many to disown, ignore and forget their female power at its core: all blood is mother's menstrual blood.
During her cycle logical rhythmic monthly renewal, menstrual blood inevitably drips onto the woman's fingertips where behind private doors she deals with washing and flushing it down the drain. Women are not supposed to notice how its nutrients can revive dead plants and fertilize the soil through winter. Nor are women supposed to count the number of ounces their menstrual cycle produces or realize that as many as 500 menstruations are conceivable over the course of her life if menarche starts at age 10, menopause sets in by 50, and she does not give childbirth or have a hysterectomy. Yet, for thousands of years, patriarchy allows occulted violence against humanity and children to obtain blood that is utilized beyond the norm.
The real but forgotten hidden origins of the taboo hold more than enough power to debunk the conditioned shame that is honed on girls than the society will acknowledge, in my opinion. The power gained from reclaiming menstrual blood spiritually & psychologically could annihilate female pubescent embarrassment, despite the pains and inconveniences.
As the mother of Menstrala, my published artworks have set the stage for teen girls to develop this universal academic art movement beyond my lifetime. Rendering art using menstrual blood, now a valid chosen medium, allows menstruators to "un-silence" their periods. Menstruating is one of woman's five blood mysteries. Daughters can reclaim their Venusian menstrual honor, awe, esteem, value, pride and confidence.
I hope generations of Menstrala artists (Menstralists) deconstruct and replace the taboo with a "fem-centric" perspective that puts life back into lunar cyclical time. To help enable this, I invented the Monthmatics Lunarscope, a scalable digital clock face that will plot all events into a chosen stellar lumen cycle, the cymatic blueprints of our electro-magnetosphere. More on that to come in Magnetic Astrology.
The earliest sacred rites utilized menstrual blood, evidenced in Aboriginal caves depicting a woman holding her hand over her womb implying that women's menstrual blood rites were the first human rights. Cosmetics (body war paint, nail polish, tattoos, piercings and face make-up) originate from cosmetikos, the ordering of chaos from the cosmos through the use of menstrual blood as a means to communicate.
Menstruating between child births, often during the dark moon phase, necessitated counting and calendaring, thus producing mathematics, which etymologically contains "mama," the first word infants most commonly can speak.
The five blood mysteries of womanhood--menarche, menstruation, hymen defloration, child birthing and menopause--remain deeply traceable at the roots of cultures worldwide. We can find the words taboo (tapua meaning sacred in Polynesian) and ritual (r'tu meaning menstrual act in Sanskrit) referring to menstrual blood. Parallel blood rites for boys & men also developed from women's menstrual rites and other sexual rites of passage. See Dr. Judy Grahn’s book, “Blood Bread & Roses: How Menstruation Created the World” (1993).
Menstrala Art is the only genre that contains electromagnetic plasma.
Artist's Statement:
Why I Painted with the Forbidden Medium
For countless years, women have been battling chronic menstrual issues in connection with lunar cycle disassociation and insufficient cycle logical advice. For a look into new approaches, follow the ground-breaking scientifically backed work of Dr. Stacy Sims: Next Gen. The unnecessary reality of menstrual poverty around the world reveals the lack of educational programs needed to introduce and teach "mindful menstruation practices" to adolescent girls.
Value
Menstrala support educational health programs, such as CeMCOR's Endowment Fund. The Centre for Menstrual Cycle & Ovulation Research at the University of British Columbia promotes new medical standards in women's health.















